Next week, I will explore the highly attractive chamber music of 19th-century composers such as Jean-François-Victor Bellon and Ludwig Maurer with the brass players of Anima. It will be a search for unjustly forgotten repertoire, for the appropriate instruments to play that repertoire, and for the 19th-century context of industrialisation and “progress” that frames that repertoire. A unique opportunity to get a very close insight into the extraordinary laboratory that Anima Eterna Brugge still is! – Stefan Grondelaers
Narrator Stefan Grondelaers takes you through the great dreams and disappointments of this fascinating piece of history at four concerts.