Genius without borders: Mozart at 20

The recording of Mozart’s complete piano concertos in 1990 was a milestone in the history of Anima Eterna Brugge, which grew from a fledgling baroque chamber ensemble into a full-blown symphony orchestra. It first spread its wings to the international scene when it toured Japan. And with Wolfgang Amadeus at its side, Jos van Immerseel

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Musikfest Bremen: welcome thrice!

It’s goodbye to summer with this triptych of concerts at Musikfest Bremen! Twice, the chamber music of Camille Saint-Saëns and Francis Poulenc – a personal favorite of Jos van Immerseel – takes pride of place. The third concert pairs Dvořák’s Slavonic dances for fortepiano four-handed with a Septet by Franz Berwald [try-out] – Sweden’s most

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Saint-Saëns & Poulenc

Anima holds a tender spot for French orchestral music from the 19th and early 20th centuries. French chamber music, too occupies a premium spot in the repertoire. Having been all over the world with Camille Saint-Saëns’ Carnaval des Animaux, we plan to take our acquaintance with this composer to the next level.

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Schubertiade

The tragic Wanderer, his misunderstood genius, the embodiment of “Sehnsucht”: nowadays, Schubert’s image rests underneath a thick layer of sepia. Anima dug around in his symphonic oeuvre and chamber music repertoire, and was stunned by its colors, flair, humour and power.

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A Russian romance

Chouchane Siranossian takes on a double role as a concert master and soloist in this all-Russian production.

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