IN TIME: Mendelssohn violin concerto & octet

This CD, which came about under the joint artistic direction of Jakob Lehmann and Chouchane Siranossian, is the first ‘physical’ product of Anima Next Generation.

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Wolfgang Amadeus Mozart: Symphonies n° 39, 40, 41 – Bassoon Concerto

Only the most successful titles from the Outhere Music labels’ catalogues are being re-released in the colorful ‘Collection’-series. We’re very proud to be part of the pink issue with our Mozart symphonies and bassoon concerto featuring Jane Gower.

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Schubertiade : ‘Du holde Kunst, ich danke dir’

4 CD’s, 17 musicians, 32 master pieces: these are the main ingredients of Schubertiade – a compilation of vocal and instrumental chamber music by Schubert, hand-picked and assembled by Jos van Immerseel to form the soundtrack to 4 imaginary Schubertian salons. An ode to the master of Ständchen and Forellenquintett, this recording is also a

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Janácek/ Dvorák

Out now: the newest addition to Anima’s discography!

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Berlioz Debussy Ravel Poulenc

This set groups the rereleases of Jos van Immerseel’s recordings of French orchestral music. This anthology will once again demonstrate everything the pianofortist brings to the interpretation of the symphonic and chamber repertoires. With his musicians and companions from Anima, he has created a veritable musical troupe, in turn students, orchestral players, soloists… Together, they carefully

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Gershwin

George Gershwin composed his Rhapsody in Blue in 1924. In the same year, he launched his collaboration with his brother Ira, which produced countless songs. He never achieved his ambition of studying with Maurice Ravel, but was always enthralled by the symphonic poem and the concerto. His masterpieces, such as An American in Paris and

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Wolfgang Amadeus Mozart

Symphonies, Concertos, Sonatas…

This box set of six CDs brings together all the previous releases on ZZT of Mozart works performed by Jos van Immerseel: Symphonies nos.29, 39, 40 & 41, the Bassoon Concerto, Violin Concertos nos.2 and 3, the Concerto for two pianos, the Concerto for flute and harp, Horn Concerto no.3, and seven sonatas for piano

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Symphony Jos van Immerseel Mozart

Carmina Burana

Probably no other work in music history has inspired such polemic as Carl’ Orff’s scenic cantata Carmina Burana (1936): an energetic ode to life and love – adored by millions, deemed simple and bombastic by others. No wall of sound or mass of strings on this recording though: Anima Eterna Brugge returns to the score,

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Pictures at an exhibition

The relation of Anima Eterna Bruges and Jos van Immerseel with French music is as strong as it is fruitful. The fantastic recent recording Debussy’s La Mer (ZZT 313) – henceforth recognized as a reference – stands as proof. The singular colours and timbres of the period instruments of the Anima Eterna musicians also have

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Claude Debussy

After discs devoted to Ravel and Poulenc (ZZT 060901 & ZZT 110403) critical and popular successes, the latter measured in sales), Jos van Immerseel returns to French music, tackling Debussy and his most famous orchestral works. This he does well, of course, relying on historic instruments with the aim of blending a singular vision of

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Francis Poulenc

After exploring the universe of Ravel, Anima Eterna continues its voyage of discovery through twentieth-century French music with Francis Poulenc. In Jos van Immerseel’s view, this composer is one of the most significant personalities of the twentieth century, coupling immense erudition with surprising spontaneity. Not to mention the fact that Poulenc was also a particularly

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Ludwig van Beethoven

Complete Symphonies & overtures

Beethoven – Symphonies CD of the Week on Classic FM – the Simon Bates page – April 24th 2008 [CD of the Week on Classic FM :his new boxed set is proof that the Old Radical’s music can be interpreted in fresh, vibrant ways, and make you think again about old favourites which you thought

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Maurice Ravel

Sorry, this entry is only available in French and German. For the sake of viewer convenience, the content is shown below in one of the available alternative languages. You may click one of the links to switch the site language to another available language. Ravel – Bolero, Concerto pour la main gauche, Rapsodie espagnole, la

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Alexander Borodin, Nikolai Rimsky-Korsakov

Jos van Immerseel and his orchestra Anima Eterna continue their journey back in time. After Strauss, Tchaikovsky and most recently Liszt, they now tackle the Russian composers of the ‘Mighty Handful’. The approach is still the same: the search for the appropriate instruments of the period and the initial orchestrations, and hence a choice of

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Franz Liszt

Sorry, this entry is only available in French. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. Liszt – Totentanz, Préludes, Rhapsodies… Jos van Immerseel retrouve ses amours de jeunesse : Liszt, les rhapsodies hongroises, les poèmes symphoniques… Avec

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Johann Strauss

Editor’s choice : Gramophone 2005 : Lower the eyebrows, please – this gutsy ‘period’ Strauss is a joy Most of us have got used to period instruments playing Beethoven but ‘early music’ groups tackling later repertoire still raise eyebrows. Similarly, the suggestion that there is a good composer named Strauss whose first name is not

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Schubert – The complete symphonies

In the course of the 1996-97 season, Anima Eterna played and recorded Schubert’s complete symphonies in the particularly innovative interpretation of their conductor, Jos van Immerseel. This interpretation, based on the study of Schubert’s manuscripts and on the instruments used at the time of their first performance, allows us to discover sound colours that combine

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Wolfgang Amadeus Mozart

Sorry, this entry is only available in French. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. ZEBRA COLLECTION Classica – Mai 2006 Le luxe à petit prix – Depuis 1997, la maison de disques Zig-Zag Territoires s’est imposée

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Joseph Haydn

Sorry, this entry is only available in French. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. Haydn – Symphonies et concerto pour piano Jos van Immerseel aime le son ou plutôt les sons… Il est capable de se

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