Schubert – The complete symphonies

In the course of the 1996-97 season, Anima Eterna played and recorded Schubert’s complete symphonies in the particularly innovative interpretation of their conductor, Jos van Immerseel. This interpretation, based on the study of Schubert’s manuscripts and on the instruments used at the time of their first performance, allows us to discover sound colours that combine

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Maurice Ravel

Sorry, this entry is only available in French and German. For the sake of viewer convenience, the content is shown below in one of the available alternative languages. You may click one of the links to switch the site language to another available language. Ravel – Bolero, Concerto pour la main gauche, Rapsodie espagnole, la

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Alexander Borodin, Nikolai Rimsky-Korsakov

Jos van Immerseel and his orchestra Anima Eterna continue their journey back in time. After Strauss, Tchaikovsky and most recently Liszt, they now tackle the Russian composers of the ‘Mighty Handful’. The approach is still the same: the search for the appropriate instruments of the period and the initial orchestrations, and hence a choice of

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Franz Liszt

Sorry, this entry is only available in French. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. Liszt – Totentanz, Préludes, Rhapsodies… Jos van Immerseel retrouve ses amours de jeunesse : Liszt, les rhapsodies hongroises, les poèmes symphoniques… Avec

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Joseph Haydn

Sorry, this entry is only available in French. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. Haydn – Symphonies et concerto pour piano Jos van Immerseel aime le son ou plutôt les sons… Il est capable de se

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Wolfgang Amadeus Mozart

Sorry, this entry is only available in French. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. ZEBRA COLLECTION Classica – Mai 2006 Le luxe à petit prix – Depuis 1997, la maison de disques Zig-Zag Territoires s’est imposée

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Johann Strauss

Editor’s choice : Gramophone 2005 : Lower the eyebrows, please – this gutsy ‘period’ Strauss is a joy Most of us have got used to period instruments playing Beethoven but ‘early music’ groups tackling later repertoire still raise eyebrows. Similarly, the suggestion that there is a good composer named Strauss whose first name is not

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