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Vijf tot acht keer per jaar komen de musici van Anima Eterna Brugge samen om een stuk muziekgeschiedenis te ontsluiten. Een doordachte programmering, onderzoek, historische instrumenten en de toewijding en het plezier van elke speler creëren samen ons handelsmerk: een heldere, transparante klank die Anima in een zucht herkenbaar maakt voor elke luisteraar. Anima verkent het verleden van de muziek, om haar levend de toekomst in te sturen.

Felix Mendelssohn-Bartholdy

Die Hochzeit des Camacho (1825) – The Wedding of Camacho
CCS 5593 | 2 CDs | published 1993 | buy this cd

 

 

tracklist

 

CD1
1. Overture
ACT I
2. No.1 Duet  – “Beglücktes Jugendleben”
3. No.2 Trio  – “Wie? Ihr wagt es hier vermessen”
4. No.3 Aria  – “Noch tröstet mich das Vorgefühl”
5. No.4 Duet  – “So kehrest du wieder, Geliebter”
6. No.5 Aria, Song  – “Nur frischer Mut und klares Blut”
7. No.6 Chorus  – “Viva Camacho, viva Quiteria, Bei Liebeln und Grübeln”
8. No.7 Septet with Chorus  – “Laß mich noch einmal begrüßen”
9. No.8 Chorus, Aria & Recitative  – “Viva Camacho, viva Quiteria,” “So scheid’ ich denn von Haus und Dorf”
10. No.9 Aria  – “Wer klopft so leise an die Tür?”
11. No.10 Ensemble -  “Dem sollen die Knochen im Liebe fliegen”
12. No.11 Finale  – “Lasset euch winden, dunkle Zypressen” “Viva die irrende Ritteschaft”

 

CD2
ACT II
1. No.12 Chorus & Aria  – “Frisch die Hände nur gerühret” “Hat meine Nase mich nicht betrogen”
2. No.13 Song  – “Die schönste Braut im ganzen Land”
3. No.14 Chorus & Ball  – “Richtend mag das Spiel entscheiden – Bolero Fandango – Ha, Tigerbrut!”
4. No.15 Trio  – “Was sollen mir die rätselhaften Worte?”
5. No.16 Chorus  – “Nun zündet an geweihte Kerzen”
6. No.17 Ensemble  – “Welche Stimme, welche Störung?”
7. No.18 Finale  – “Wie? Betrogen?”

 

Franz Schubert

Overture Rosamunde & Symphonie nr. 5
CCS 4292 | 1 CD | published 1992 | buy this cd

 

 

tracklist

 

1. Ouvertüre “Die Zauberharfe” (1820) alias “Rosamunde” D.644 10:40

Schauspielmusik zum Drama “Rosamunde” (1823) D.797
2. Zwischenaktmusik B Dur (Andantino) 7:50
3. Balletmusik G Dur (Andantino) 6:51

 

Symphonie nr. 5, B Dur (1816) D485
4. Allegro 6:57
5. Andante con moto 9:31
6. Menuetto (Allegro molto) 4:24
7. Allegro vivace 5:38

 

Japan Tour 1991

japan tournee 1991

W.A. Mozart

Complete Solo Clavier-Concerte
CSS BOX 10 | 10 CDs | published 1990 | buy this cd

 

 

tracklist

 

CD 1 (CSS 0590)
Clavier-Concert 5 KV 175 in D
1. Allegro 8:20
2. Andante ma un poco Adagio 7:00
3. Allegro 4:42
Clavier-Concert 9 KV 271 in Es
4. Allegro
5. Andantino 12:09
6. Rondeau Presto Menuetto -Tempo Primo 10:03

 

CD 2 (CSS 0690)
Clavier-Conert 8 KV 246 in C
1.Allegro Aperto 7:40
2. Andante 7:32
3. Rondeau Tempo di Menuetto 6:57
Clavier-Concert 28 KV 382 in D Rondo
4. Allegretto Grazioso Adagio – Allegro 9:07
Clavier-Concert 12 KV 414 in A
5. Allegro 9:28
6. ANdante 8:15
7. Allegretto 6:44

 

CD 3 (CSS 0990)
Clavier-Concert 11 KV 413 in F
1. Allegro 9:37
2. Larghetto 7:37
3. Tempo di Menuetto 5:23
Clavier-Concert 13 KV 415 in C
4. Allegro poco maestoso 10:33
5. Andante 7:17
6. Allegro Scherzando 7:48
Clavier-Concert 14 KV 449 in Es
7. Allegro vivace 8:56
8. Andantino 6:40
9. Allegro ma non troppo 6:16

 

CD 4 (CSS 1791)
Clavier Concert 15 KV 450 in B flat
1. Allegro 10:02
2. Andante 5:39
3. Allegro 8:56
Clavier-Concert 16 KV 451 in D
4. Allegro assai 10:43
5. Andante 7:10
6. Rondo, Allegro di molto 7:48

 

CD 5 (CSS 1891)
Clavier-Concert 6 KV 238 in B flat
1.Allegro aperto 6:49
2. Andante un poco Adagio 5:52
3. Allegro Rondo 7:12
Clavier-Concert 17 KV 453 in G
4.Allegro 12:09
5. Andante 10:00
6. Allegretto 7:51

 

CONCERTO 6 B flat Major KV 238

Composed: Salzburg, January 1776

Mozart is 20 years old.

1777, 6 October, Munich
“then I played the Concerto in C, in B flat, and in E flat, and then my trio”.

1777, 24 October, Augsburg
“The concerto for 3 claviers: Herr Demmler played the first part, I: the second, and Herr Stein the third. Then I played alone, the last sonata in D [which I wrote] for Drnitz : then my concerto in B flat…”

1793 First posthumous publication, Andr, Offenbach.

CONCERTO 17 G major KV 453

Composed: Vienna, before 12 April 1784

Mozart is 28 years old.

1784, 26 May, Vienna
“The concerto which Herr Richter praised so much is the one in B flat, which is the first one which I wrote and for which he had already given me so many compliments. I can’t really choose between these two concerti–I think both of them will make the player sweat a bit–but the one in B flat is greater in difficulty than the one in D.–Moreover I am very eager [to know] which, among the 3 concerti in B flat, D and G, pleased you and my sister the most. The one in E flat does not belong at all to the same group.–It is a very special sort of concerto, and written more for a small than for a large orchestra–thus I am referring only to the 3 larger concerti. I am eager to know if her opinion is the same as mine and that of people in general. Obviously it is necessary to hear these concerti in a good performance and with all the orchestral parts. I am more than willing to wait until I get them back again–just make sure that no one else gets his hands on them. Just today I could have had 24 Ducats for one of them–but I think it would be of more use to me if I keep it to myself for a couple of years, and only then publicize it by having it engraved.”

1787 first (?) publication Heinrich Ph. C. Bossler, Speyer.

 

CD 6 (CSS 1991)
Clavier-Concert 18 KV 456 in B flat
1. Allegro vivace 12:09
2. Andante un poco Sostenuto 9:49
3. Allegro vivace 7:41
Clavier-Concert 19 KV 459 in F
4. Allegro 12:30
5. Allegretto 6:09
6. Allegro assai 8:07

 

CD 7 (CSS 2391)
Clavier Concert 20 KV 466 in d minor
1. Allegro 13:08
2. Romanze 9:00
3. Allegro Assai 6:45
Clavier-Concert 21 KV 467 in C
4. Allegro Maestoso 13:41
5. Andante 6:13
6. Allegro Vivace 6:40

 

Concerto 20 d minor KV 466

Completed: Vienna, 10 February 1785

Mozart is 29 years old.

1785, 16 February,
“Leopold to Nannerl … on that Friday (10 II 85) in the evening, we went out to his first subscription concert, where there was a great crowd of personages of high degree. Every person pays a Souvrin d’or or 3 Ducats for the 6 Lenten concerts. It is at the Mehlgrube, he [Mozart] pays only a half Souvrin d’or for each time he uses the hall. The concerto was incomparable, the orchestra excellent, in addition to the symphonies a woman from the theatre sang 2 arias. Then there was a new, excellent concerto by Wolfgang which the copyist was still finishing when we arrived, and your brother didn’t even have time to play through the Rondeau, because he had to supervise the copying….”

 

CD 8 (CSS 2491)
Clavier-Concert 22 KV 482 in E flat
1. Allegro 12:48
2. Andante 9:15
3. Allegro 12:01
Clavier-Concert 23 KV 488 in A
4. Allegro 10:26
5. Andante 5:45
6. Presto 7:55

 

Concerto 22 E flat major KV 482

Completed: Vienna, 16 December 1785

Mozart is 29 years old.

1786, 13 January, letter Leopold
“…in haste, gave 3 Subscription academies [concerts] for 120 subscribers;- …a new Clavier concerto in E flat which he wrote for the occasion, and the Andante of which he had to repeat (a rather uncommon thing for him) 1800/01 First posthumous publication, Andr, Offenbach. Concerto 23 A major KV 488 Completed: 2 March 1786 Mozart is 30 years old 1786, 30 September, Mozart to Kammerdiener Sebastian Winter (Hof Donaueschingen) Tomorrow the music you requested will leave here with the post coach;…it its nothing strange that a few of my pieces have been sent abroad–but they are pieces which I wrote quite casually, and I sent you the themes, only because it was still possible that the pieces had not arrived. But the pieces which I reserve for myself or for a small circle of amateurs and connoisseurs (in return for their promise not to let them out of their possession) cannot possibly be known abroad, because they are not even known here;–such is the case with the 3 concerti which I have the honor to send to Your Lordship…there are 2 clarinets in the Concerto in A–should they not be available at your Court, then a suitable copyist should transpose them into the right key so that the first part can be played by a violin and the second with a viola….”

1800/01 First posthumous publication, Andr, Offenbach.

 

CD 9 (CSS 2591)
Clavier-Concert 24 KV 491 in c minor
1. Allegro 13:41
2. Larghetto 7:09
3. Allegretto 9:11
Clavier-Concert 25 KV 503 in C
4. Allegro Maestroso 14:18
5. Andante 7:07
6. Allegretto 8:56

 

Concerto 24 c minor KV 491

Completed: 24 March 1786

Mozart is 30 years old.

Not mentioned in the correspondence (Von Nissen’s information is incorrect: c minor must be E flat major). The following text may provide an explanation for the silence: “(Mozart) is indisputably one of the greatest of original geniuses, and up until now I have known no other composer who possesses such an amazingly rich imagination. I would only wish that he were not so wasteful with it. He doesn’t give the listener time to catch his breath; for when one wants a moment to think about some beautiful idea, there is already another beauty there before one which obscures the first, and it always goes on that way without pause, so that at the end one cannot keep one of these beauties in one’s memory.” (Karl Ditters von Dittersdorf)

 

 

CD 10 (CSS 2691)
Clavier-Concert 26 KV 537 in D
1. Allegro 13:51
2. Larghetto 5:31
3. Allegretto 9:49
Clavier-Concert 27 KV 595 in B flat
4. Allegro 14:11
5. Larghetto 7:43
6. Allegro 8:34

 

Concerto 26 D major KV 537 “Krönungskonzert”

Completed 24 February 1788 according to Mozart’s “Verzeichnss”

Mozart is 32 years old.

The work was probably truly completed just in time for the first performance on 14 April 1789 in Dresden (if it were actually completed at that time).

1789, 16 April, Dresden, “the other day I played the new concerto in D at Court.”

1790, 8 October, Frankfurt am Main: “…and then, it’s just empty talk about the Imperial Cities.–I am certainly famous, admired, and popular here; for the rest people here are even meaner with money than they are in Vienna.–If the concert here is reasonably successful, then is it thanks to my name, or that of the Countess Hatzfeldt and the House of Schweitzer, who have enthusiastically taken my part?–for the rest I will be very happy when it’s all over.”

 

 

Vocale muziek in de Nederlanden

Nederlandse Muziek van 1600 tot 1700
TELEAC | 1 CD | published 1989 | read the booklet

 

 

tracklist

 

Giaches De Wert (1535-1596)
1. Sovente all’hor
2. Ecco ch’un altra volta

Tylman Susato (ca 1500-ca 1562)
3. Salva que roseo (Salve Antverpia)

Cornelis Schuyt (1557-1616)
4. Coronato d’alloro
5. O Leyda gratiosa

Herman Hollander (?-?)
6. Quousque arida est anima mea
7. O vos omnes

Jan Baptist Verrijt (ca 1610-1650)
8. Ave dulcis Iesu

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9. Currite pastores
10. Vulnera cor meum
11. O Jesu, splendor acternae
Servaes De Koninck (1654-1701)
12. Zaamen-spraak tusschen Cordidon en Climene
Carolus Hacquart (ca 1640-1701)
13. Erravi sicut ovis opus 1/5

 

Florence Launey, soprano
Camille van Lunen, soprano
Myra Kroese, alto
Hein Meens, tenor
Marius van Altena, tenor
Harry van der kamp, bass

Marion Middenway, gamba & violoncello
Maarten van der Heyden, violone
Fred Jacobs, theorbe
Martine Chapuis, harpsichord
Jos van Immerseel, harpsichord

 

 

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